![]() You can find the credits lists here (for the Japanese unit) and here (for the Korean unit).Ĭompare Production I.G, Toon City, GONZO and Digital eMation, four companies that also use CGI in their animation, and on the Korean side of things. But while working on The Ren & Stimpy Show, Gregg Vanzo and his wife Nikki suggested to show creator John Kricfalusi about outsourcing to South Korea-which was how the company's South Korean division was formed.īesides doing Western Animation, they also do Anime under the name Orange due to issues with stockholders in South Korea, and they also have a unit in Japan under that name as well (established in 2004 with CGI animator Eiji Inomoto and some former Satelight staff), although the Japanese unit only does CG work. Originally the company started out in a garage. ![]() Rough Draft Studios is a California/ Seoul based studio founded in 1991 by animator Gregg Vanzo and Nikki Vanzo. ![]() If people see that you can be singularly and extremely focused on helping women artists, then maybe more will do it.Bite my shiny CGI-and-traditional animation ass. “People say, ‘This man is so great!’ Nope. “I will not deviate,” she continues, emphatically. “I have always been a champion of women’s rights,” says Perry, noting that she won’t consider showing anything but the work of women. The exhibition, which presents an uplifting rebuke to current restrictions on abortion rights, includes outsize string-of-pearl sculptures by Hanrahan, a colorful retro quilt that Pred patterned with packets of birth-control pills, and wool boards needle-felted with phrases like “you’ll never get a man if you can’t cook.” A group ceramics show will follow in July. This summer season kicked off with “ Pearls, Pills, and Protests,” featuring works by the artists Jerelyn Hanrahan, Kelly Tapìa-Chuning, Lulu Varona, and Michele Pred. (Textiles are a soft spot for the designer, whose family was in the fabric business.) Among its many functions, Onna House connects collectors to artists and it “shows how you can live alongside art in a home,” explains Perry. Visitors can expect an array of juxtaposed creative genres a majority of the pieces are made from materials associated with long-undervalued crafts and traditional women’s work like ceramics and textiles. Last year Perry opened Onna House to the public for the first time, motivated by “a great need to spotlight under-recognized women artists.” First image: Artwork by Jerelyn Hanrahan. ![]() Now, much like when the Sculls entertained there, the place brims with art and design. In search of a “creative outlet” during the pandemic, Perry purchased the residence, which was at the time threatened by demolition. Onna, which means “woman” in Japanese, is a nod to the modernist Japanese aesthetic of the house, which was designed by Paul Lester Wiener in the early 1960s for the famed collectors Robert and Ethel Scull. But she recently embarked on a new kind of collecting endeavor-one she is building on her own, housed in a historic Hamptons gem she’s dubbed Onna House and dedicated to supporting and collaborating with women artists and designers. “This has opened up an entire new chapter in my life,” Perry says about the initiative from her home in New York. For more than 30 years, the iconic fashion designer Lisa Perry has been amassing important 1960s Pop and Minimalist art with her husband, Richard.
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